Discipline

Philosophy of Indian Aesthetics

Course Number
HS 863
Credit
6
Discipline Type
Philosophy

Introduction to Indian Aesthetic traditions (both Sanskritic and non-Sanskritic), History and Development of the fundamental notions of art, beauty, creative imagination, intuitive awareness, phenomenon of relish etc.; Epistemology of aesthetic experience; Ontology of Art and Beauty; Philosophy of Suggestive meaning in art, Soteriological motive of art experience.

Reference

1 Amaladass, Anand (1984) Philosophical Implications of Dhvani: Experience of Symbol Language in Indian Aesthetics. Vienna: De Nobili Research Library. 2 Ānandavardhana & Abhinavagupta. The Dhvanyāloka of Ānandavardhana with the Locana of Abhinavagupta. Ed. & trans. Daniel H. H. Ingalls, Sr. Trans Jeffrey Moussaieff Masson, M. V. Patwardhan. Boston: Harvard University Press, 1990. 3 Chakrabarti, Arindam. (ed.), (2016) The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art, Bloomsbury: London. 4 Gnoli, Raniero. (1962) The Aesthetic Experience according to Abhinavagupta, Benares (SOR, Roma 19561). 5 Lawrence, McCrea. J. (2009) The Teleology of Poetics in Medieval Kashmir, Harvard Oriental. 6 Masson, J. L., and M. V. Patwardhan. (1970) Aesthetic Rapture: The Rasādhyāya of the Nāṭyaśāstra, Deccan College, Pune. 7 Masson, J.L. and Patwardhan, M.V. (1969) Śāntarasa and Abhinavagupta302222s Philosophy of Aesthetics, Bhandarkar Oriental Series No. 9, BORI, Poona. 8 Pollock, Sheldon. Ed. & Tr. (2017) A Rasa Reader Classical Indian Aesthetics, Permanent Black, New Delhi.